God Help eBay et al 天助eBay诸君

  Nobody can dispute that the awareness of Chinese Export Silver has grown exponentially in the past five years; there’s also far more of it appearing in auction house sales – but is the understanding of it there? Chinese Export Silver is, by default, an extremely complex silver category and it is only recently that […]

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Sino-Victoriana 中国-维多利亚时期

Sino-Victoriana 中国-维多利亚时期 From the mid 19th century, Chinese Export Silver spawned a decorative style that encapsulated the exuberance of a combination of two cultures, the very era itself and the vibrancy that was the China Trade. This made for a unique and interesting mix – the bringing together of these otherwise highly unlikely bedfellows created […]

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THE CALIFORNIA GOLD-RUSH EFFECT ON CHINESE SILVER AND HONG KONG 加州淘金热对中国银器和香港的影响

THE CALIFORNIA GOLD-RUSH EFFECT ON CHINESE SILVER AND HONG KONG 加州淘金热对中国银器和香港的影响                                                                                          […]

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THE ABSENCE OF AN ASSAY SYSTEM  金银检验系统的缺失 HOW CHINA, A SILVER-OBSESSED NATION, MANAGED WITHOUT ONE 为银狂热的中国是如何做到的

A nation with a 1400 year history of silver making and an economy that was obsessed with being silver-based until well into the 20th century, it is strange to learn that it could exist without any assay system. In the 155-year Chinese Export Silver manufacturing period, the vast majority of silver items that were made […]

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THE INFLUENCE OF THE TRIADS ON THE DECORATIVE ARTS IN CHINA 三合會對中國和香港的裝飾藝術之影響

THE INFLUENCE OF THE TRIADS ON THE DECORATIVE ARTS IN CHINA  三合會對中國和香港的裝飾藝術之影響 Style, the demand for style and the supply of style is an extremely fine-tuned, complex equation that only requires a small weakness in one element and the equation is compromised. Style icons are also an essential factor in creating a momentum for style […]

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CHINESE EXPORT SILVER & THE ENLIGHTENED RENAISSANCE 中國出口銀器: 被啟蒙的文藝復興

CHINESE EXPORT SILVER AND THE ENLIGHTENED RENAISSANCE   中國出口銀器: 被啟蒙的文藝復興 Chinese Export Silver always adapted to the realities of Chinese history; it was, after all, a product of that history,as such, it has qualities that no other silver category possesses. Viewed in the overall context of China, it is an excellent indicator of prevailing historical […]

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META-MUSEUM: T’OU SÈ WÈ 土山湾 THE BIRTHPLACE OF CHINESE MODERN CREATIVE ARTS

T’OU SÈ WÈ 土山湾:  THE BIRTHPLACE OF CHINESE MODERN CREATIVE ARTS The T’ou Sè Wè Legacy That a Jesuit orphanage and school in Shanghai founded in the 19th century should be the cradle of modern creative art in China is extraordinary in itself, but it is firmly rooted in a significant Jesuit presence in China […]

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META-MUSEUM: CHINESE EXPORT SILVER – The East-West Divide 中國出口銀器:東西方的分裂

 CHINESE EXPORT SILVER: The East-West Divide 中國出口銀器:東西方的分裂 Well into his third year of research, Adrien von Ferscht has always maintained a deep appreciation of the neo-classical Chinese Export Silver – a product of the late 18th/early 19th centuries. As his research has progressed, he has become increasingly aware of the trend of the majority of Chinese […]

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META-MUSEUM:CHINESE EXPORT SILVER: Easter Rarities 中國出口銀器: 復活節的珍寶

  CHINESE EXPORT SILVER: Easter Rarities   中國出口銀器: 復活節的珍寶 While religious items of Chinese Export Silver are relatively rare, they certainly do exist for the Muslim and Jewish faiths, both of which were minority religions that had relevancy to China, with items with Hindu decorative imagery obviously existing in larger numbers. Christian religious objects, though, […]

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META-MUSEUM: CHINESE EXPORT SILVER: The Enamel Revival Phenomenon 中國出口銀器:琺瑯的復興現象

CHINESE EXPORT SILVER: The Enamel Revival Phenomenon 中國出口銀器: 琺瑯的復興現象

The art of cloisonné is often looked upon as a Chinese art and in some respects it is a correct assumption, however cloisonné, as a technique finds its roots back in the 13 century BCE Mycenaean era and the Mediterranean – or at least the earliest known examples are to be found there. Since this […]

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